almost a diary, cinema, compulsory reading, oddly enough

So much creative energy wasted. Unbelievable.

Yesterday evening I attended a regional short film award presentation ceremony. One of the winning films was about a Japanese couple eating Sushi on a date. Later that evening I had a chat with the female lead actress, a charming student of Political Science. So far, so normal.

But what do you reply once the person you talk to starts to explain to you that the real reason for the Nazi dictatorship was alien control? I am not entirely certain about the details of her argument due to linguistic difficulties. But the gist of it was that she had read about it in “a Japanese book“.

So what do you do? Well, I can tell you what I did: I changed the subject to something tastier and far less problematic with a slightly irritated – “anyway… so where do you get your Sushi here?

Happy about my newly acquired knowledge about great Japanese restaurants in the area, I almost forgot about the irritating incident. But when I later checked my email, I could not resist to google for “Nazi Ufo”. The result was unbelievable. You should try that yourself.

The search yielded a countless amount of webpages determined to uncover and explain the “real” reality, as if we were all living in a “Matrix” [I am not going to discuss the ontological possibility this could actually be the case or any possible ethymological implications of such a possiblity. For our mind’s sake, let’s just assume it’s not the case.]. I am simply stunned how so many apparently at least modestly intelligent people are eager to waste their intellectual energy on blatantly nonsensical conspiracy theories.

Now you might reply that conspiracy theories can be valuable – some sort of intellectual modelling, an intelligent fictional exercise trying to identify fundamental causes behind the events that shape the world in our framed perception – even though evidently wrong, most of the times. But the important part of the last argument is intelligent – unintelligent conspiracy theories simply are pulp fiction. Moreover, unintelligent conspiracy theories are plainly dangerous, because they appear to be no longer checks and balances to a possibly framed official version of history but ot have become a “Matrix” themselves. Just clicking on some links on the first page of google hits I found the following extraordinary example about German moon bases in 1942. In case you don’t bother to click on the link above, here is a remarkable extract from that page:

“In my extensive research of dissident American theories about the physical conditions on the Moon I have proved beyond the shadow of a doubt that there is atmosphere, water and vegetation on the Moon, and that man does not need a space suit to walk on the Moon. A pair of jeans, a pullover and sneakers are just about enough. Everything NASA has told the world about the Mood is a lie and it was done to keep the exclusivity of the club from joinings by the third world countries. All these physical conditions make it a lot more easier to build a Moon base.”

No way to argue with that, I know.

And as you remember, I did change the subject when the Japanese girl started to explain the intricacies of the Nazi-Alien connection (which seems to be at the core of an astounding amount of conspiracies on the web). But the scary thing about her was that she did not seem to be a Mulder-like UFO freak, who “wants to believe”. The scary thing was that she seemed to quote not from a mailing list or web site run by “dissident scientists” but from an apparently accepted Japanese source.

It’s a strange world out there.

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compulsory reading, web 2.0

New Economy. Does it really look that old?

Sometimes I am simply depressed to which extent indirect perception, ie the way we think about the stuff out there which we can’t sense ourselves, is shaped by people whose perceptions are themselves shaped by the very same mechanism.

Let’s face it, it’s not really the case that the amount of possible interpretations of “reality” increase proportionally with the amount of people transmitting and reshaping them. Of course, it’s probably true that some interpretations are plainly wrong and proportionality should not be expected if those we rely on to present a fair picture are actually worth their price. But I would argue that instead of mutual control and even possible cross-fertilisation we can witness a lot of autocatalytic feedbackslopes.

As soon as one possible scheme of interpretation has become predominant, it becomes indeed very difficult to argue against it. This is as true for general media, as it is for scientific paradigms. This is basically what Thomas Kuhn said about scientific progress – it’s about being on the right side of the argument at the right time, not about being right. Because there is no truth apart from what we make true. Now consider the opportunity a general media hype presents for a scientific community in search of outlets for their vision of the world. What would happen?

One possibility is the “New Economy“. Whatever the possible economic content embodied in that concept, there was a time in the late 1990s when everybody wanted to believe that humanity had indeed reached “Business 2.0” (I’d say, if anything, it should have been business 4.0, version 1 being hunting and gathering, 2 the agricultural economy, 3 industrialisation). When the bubble burst, the public felt devceived by the prophets and turned to those whose opinion had been largely ignored just a little bit earlier, those who now sensed that bashing all about “new economy” was the right thing to do (now here you realise why stock market analysts are a high risk group for schizophrenia, being obliged to do bash now and justify their earlier recommendations). I’d say, we’re still in the latter phase of dealing with the recent economic past, as, eg, this article in this week’s Economist demonstrates.

The article reviews a book written by by Stan Liebowitz, a professor of economics at the University of Texas at Dallas, “and a long-time sceptic of the view that the Internet changes all the rules…“. And it seems to cover a broad range of issues –

“the exaggerated advantages of Internet retailing over conventional retailing; the false claim that the Internet’s lower costs would give Internet firms bigger profits; the inadequacies of the broadcast-television model of advertising revenues; the poorly understood questions of copyright and digital-rights management. But the crux of the book is two chapters devoted to attacking the theory of lock-in. This was the notion that caused the biggest mistakes – and the area where many economists were most at fault.

The Economist’s author clearly believes in the last notion as the rest of the article is devoted to an explanation thereof. But I don’t. Quite to the contrary, I’d argue that the argument was (and thus is) right and that all the other problems (of business judgement) have been far more serious.

It’s not that economists have been wrong to point out that network effects are crucial for a lot of information based business models and being first to market is thus a crucial element in a business strategy. Likewise, if that is case, there is a possibilty for customer lock-in because of high switching costs which will offset the losses incurred during the roll-out phase when getting to a critical mass of customers was the most important thing. There is nothing wrong with this argument.

Liebowitz’ argument is based on a distinction between weak lock-in and strong lock-in. In the Economist’s words:

As the story was told, Internet lock-in happens largely because of network effects. When the value of a product to consumers increases with the popularity of the product, that is a network effect. (A telephone is worthless if you own the only one; the wider the network, the more useful a phone becomes.) Given strong network effects, a company that gains a big share of the market will be protected from competition from late-movers. Even a plainly better product may fail, because people, much as they may prefer it in itself, will wait for others to buy it first. The implication for business is that moving first is all-important. In refuting this, Mr Liebowitz emphasises the distinction between two kinds of lock-in. The question of compatibility is central to both. One kind of lock-in arises simply because switching to a new product involves a cost beyond the purchase price: costs of learning how to use it, for instance, or the difficulty of using it alongside products you already own. Mr Liebowitz calls this self-incompatibility, or weak lock-in. But there is also strong lock-in. This arises if a new product is incompatible with the choices of other consumers – and if, because of network effects, this external incompatibility reduces the value of the product.

The point is that weak lock-in is very common, indeed pervasive. Many new products have to overcome self-incompatibility. People do not buy a new computer every three months even though the product is improving all the time. Learning to use a new word processor is a bore; for most users, a rival has to be much better, not merely a bit better, to be worth the trouble. Note that if slightly better products are rejected because of self-incompatibility, this is not inefficient: it would be inefficient to buy such a product, incurring all the costs, unless the improvement was big enough to justify it. To repeat, weak lock-in is nothing new.

Strong lock-in is different, because of the network aspect. Strong lock-in means that consumers won’t move to a new and much better product unless a lot of others jump first. If they could somehow agree to move together, they would all be better off. But they cannot. Strong lock-in reflects a failure of co-ordination, it causes economic losses, and in theory it does create opportunities for decisive first-mover advantage. But how common is it, even in the new economy? Mr Liebowitz is forthright on this. Strong lock-in is not merely uncommon, he says, there is actually no known instance.

The lock-in literature leans heavily on just two examples: the persistence of the supposedly inferior QWERTY keyboard (see article) and the triumph of the VHS video standard over the supposedly superior Betamax. Both examples, Mr Liebowitz shows, turn out to be bogus. The QWERTY keyboard is about as fast to use as the most plausible alternatives, and VHS had important non-network advantages over Betamax – notably, longer tapes. Neither case shows strong lock-in.

OK, now let’s see – there’s about a hundred different stories out there concerning the alleged efficiency or non-efficiency of the QWERTY keyboard (which was allegedly designed to reduce typing speed because of technical issues in mechanical typewriters). Pick and choose your preferred one. And VHS? longer tapes than Betamax? From a band-length perspective Siemens’ Video 2000 was clearly the best product. I still have an eight-hour-tape somewhere. VHS is a clear example of network effects, but the explanation is not technical superiority. It was content.

Don’t ask me why but there were much more films available on VHS than on Beta or any other system. So more and more people picked VHS to be able to benefit from that choice. The more people chose it, the more attractive it became to even more late adopters. VHS is a clear example of lock-in. Strong or weak? I don’t think that dichotomic distinction is useful. There are weaker and stronger lock-ins. VHS is an example for a stronger one. Microsoft is an example for a stronger one – one could say, one with a interperson compatibility issue, as opposed to an “intra-person” compatibility issue, as the word processor example used above.

And these aren’t common effects? Think of Amazon.com’s recommendations, a service I have often used. They are based on a system called collaboritve filtering, which relies heavily on a critical mass of consumers. Think of p2p applications – you need a lot of people in such a service to be able to find the stuff you want. The more people find the stuff they want, the more will use the service.

Now switching file sharing applications is not particularly difficult for most users. But there’s a reason only a handful of useful filesharing applications exist at a time, some in niche markets, like Edonkey, where a lot of (pirated) movies are swapped.

You get my point. It’s not the wrong principle. It has been the wrong application which has caused financial desaster in so many cases. Network effects/rising returns and lock-in (in whichever way) are a lot more important for information based businesses than for car manufacturers. They have very limited problems of collective action, most of which have been dealt with in a legal way.

But it is important to emphasise that neither network effects nor customer lock-in are the only conditions for success in the cyber space. For some businesses they may be sufficient, but a useful product or service is still what people pay money for. As long as it is free, a lot of people will consume a lot of stuff. If they have to pay for it, things are different.

But let me say it again. The failures are not about wrong economics. But about their misapplication.

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compulsory reading, German Politics, media, Political Theory

High Noon

Well, it was about time. Being a mature liberal democracy with television, it was only a matter of time until there would be a televised duel between the two most serious contenders for Germany’s most important political office, the chancellor.

Yesterday evening, 20:15 was the hour of truth for both contestants. Given that this sort of two-man-show is a new element in German campaigning, it is understandable that both Mssrs. had some trouble to find the right way to deal with the other.

There were no fatal mistakes, no watch-checking, no claims about Eastern Europe being still under Soviet control. Actually, the duel was not actually a duel. The contestants hardly spoke or even looked at each other. Nor did they look at me (or the other estimated 14m viewers, which equals appr. 50% prime-time market share) since cameras, contestants and the two interviewing journalists were placed in a way it appeared the two men simply looked nowhere when they were actually looking at the journalists. Seriously, I wonder if they should pay their campaign advisors.

So the event is the main story. And for all the pundits being interviewed afterwards this was in all likelyhood a very profitable evening. But for the rest of us and for our democracy, the debate (that was not) was not very helpful.

By the way, the (conservative) BILD-Zeitung has apparently decided that Edmund Stoiber won. Actually, a lot of people said that today. Such commentary is a good example of the fact that pessimists tend to be more effetive than optimists, because because their “should be / is”-fraction will always be higher. Stoiber won simply because everyone expected him to perform as abysmal as he did in the first one-hour interview after his nomination as CDU/CSU candidate.

So to sum up, we did a) not learn anything interesting about policy options in the debate (that was not), b) we have a winner because a duel by definition needs a winner and c) unfortunately, that “winner” only because he tragically lowered expectations by himself. It’s a bit like the soaring approval ratings for George W. Bush after his handling of 9/11. Most people expected him to fail so they were positively surprised when he did not (fail entirely).

Note: It is evident why a televised debate is being introduced in Germany just now, but interestingly, it is less certain than in many previous elections that the voters will get the chancellor the want. Germany is a parliamentary democracy and the public elects the parliament, not the government. As no single party will be able to get 50+% of the votes, they will need to form coalition.

This, in turn, means that the candidate who received the most votes will not necessarily become chancellor. It all depends on the vote distribution between the parties. And given current trends, the FDP might well choose the SPD over the CDU as a coalition partner as they would have more weight in such a coalition. So Schroeder could stay in office despite getting less votes than Stoiber. Now this is a logical possibility of a parliamentary democracy and far less problematic than in the case of the last American election.

From here, the discussion would become increasingly theoretical and thus I will spare you (and me) tonight. Whatever the public says (through elections or otherwise) there is no correct way to translate it into majorities. It’s just an (socialised) agreement.

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almost a diary, compulsory reading

Art & Life Documented (for the 11th time)

Dokumenta 11 logoYesterday I visited “Documenta11“, one of the most important exhibitions of modern art which takes place every five years in Kassel, Germany. As the suffix 11 indicates, this is the eleventh of such exhibitions, whose broad aim is to provide either a thematic or temporal survey of modern art and artists.

I am by no means a qualified art critic and not usually interested in mostly pseudo intellectual debates about modern art. So all I can present is my opinion and so please remember – de gustibus non disputandum est.

Well. I went to D.9 and dX in 1992 and 1997. In 1992 I was a) 17 and b) went there with about 50 people from my Gymnasium, so I only remember a huge video installation and a tower constructed from wood. My overall impression was that art had lost it completely. My impression of dX was pretty much the same, I thought it was mostly bullshit presented by pretentious and impolite pseudo intellectuals calling themselves artists (note to myself: public discussion about the definition of artist necessary). The one thing I really remember was a project to have visitors paint cubist pictures and publish them online. Oh, and yes, they had living pigs to show that, yes, life can be art, too. How enlightening.

All in all, it was so horrible I did not want to go until two weeks ago, when I met this American artist Scott (can’t remember his last name) in Berlin. Scott is predominantly painting viruses. He told me that this time, Documenta would be *really different*, exhibiting lots of stuff with a *real meaning”. So I decided to give Kassel another chance.

Today I am glad I did. Scott told the truth, most of the art exhibited does have a message. As the artistic director of D11, Okwui Enwezor, holds, the underlying theme is a cultural discourse – mostly concerned with global distributive justice and the fate of Africa.

After decades of exhibiting meaningless stuff branded “made by famous artist X”, the art exhibited in Kassel is now art which considers people, politics and society as worthy of consideration. But while I enjoyed this change in attitude, the documentary character of many exhibits will again have people ask “what is art?”

No doubt, it is more important to have people watch a documentary regarding the Hutu/Tutsi genocide than to discuss the artistic value of pigs being fed by art tourists. But the question remains – is that art?

I am not going to answer it. I don’t care, as long as I like it. And this time, for the first time, I did like the exhibition. So I will again plead “de gustibus non disputandum est” and leave the discussion to others.

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compulsory reading, post-modernism

Stuck somewhere in the middle. Growing up these days.

The German weekly “Die Zeit” this week provides a survey of the consequences of disappearing traditional family structures and socially predetermined gender roles for today’s youngsters.

According to the article, socio-athropologists and behavioral biologists alike now claim that kids these days are in dire need for authority and some sort of biographical structure. The price of freedom, of entirely open biographies, is apparently not a modest one – as rising suicidal attempts and a new autodestructive habits (German: “ritzen”) among both young boys and girls seem to indicate.

Now it is all too obvious that going back is not an option, and even the staunchest conservatives will agree on this point, at least in private. Even apart from the most obvious justifications from an economic and philosphical perspective, modern societies do need social variety as evolutionary organisational “market”.

But kids apparently need some sort of clear-cut answers about life and their position in society to grow up. Growing up does, of course, entail to question these previous certainties – but if there are none, no questions remain to be asked, no walls to be torn down.

But if going back is not an option – where are modern societies headed for? The one thing I think becomes obvious from reading accounts like the one cited above is that we are in need of a new social equilibrium – some sort of “steady-state-equilibrium”. One that is open and stable at the same time.

Don’t ask me for sketches as I don’t have any. But should that turn out to actually be an oxymoron, I fear we will have to witness more and more socially dysfunctional kids, grown ups and then parents – with a resulting negative feedback slope – until both people and society will have evolved in a way that can bridge the rising gap between our genetic and cultural endowments.

Now you might reply to this that no older generation in history has ever been able to understand their younger one and that the above article is simply an example of the classic generation-gap, reframed in modern scientific language by publication-hungry scientists.

That is quite possible. But I don’t think so.

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compulsory reading, intellectual property rights, music industry

The future of the music industry.

Last week’s ousting of Bertelsmann’s CEO Thomas Middelhoff prompted a lot of newspapers to reconsider the challenges the internet poses for companies with a business model based on the exclusive licensing and diustribution of intellectual property rights. And so I, too, want to repeat my opinion in this matter.

Granted, the fundamental dilemma posed by changed economics of reproduction and distribution has not yet been solved: How to make people pay for formerly excluable intellectual property rights if they can obtain them for free without restrictions on the Internet. But then, consider the financial and especially societal costs of digitally fingerprinting people’s hardrives and controlling their use of the net. Assuming technical feasibility, Orwell’s nightmare would have become reality. OK, differences in degrees are certainly possible. But the trade-off remains: Which price will information societies be willing to pay to reinstore excludability of information goods at least to a certain extent?

One of the biggest problems in this extremely important debate has so far been flatly ignored. It is the social institutionalisation of the current notion of property. Based on this notion, it is relatively easy for the music industry to claim the moral high ground and persuade politicians to restrict the private flow of information. Coupled with the increased perceived need for security after 9/11 this is a powerful political position.

But everyone trying to climb the moral high ground should stop for a moment and reconsider what’s actually going on there. To know the history of copyright laws since Gutenberg would be a good starting point. After familiarising themselves with this fascinating topic people would have to accept that the current industry and cash flow structures are a consequence of a specific technology and its economics. New technology means new economics and in turm, new industry structures.

Right now, those who became powerful in a world of restricted bandwidth are trying to preserve that position and the related cash flows in a world with different economics. Assuming that the industry structure evolved to suit the economics of its business, it becomes self evident that this structure is not going to fit into the new environment.

In this respect, I recommend the excellent analysis of Harvard’s William Fisher, Digital Music: Problems and Possibilities, as a starting point.

The cultural landscape of the future will reflect the changes in economics. The days of financing the likes of Britney Spears through sales of records as well as the need to have music companies of a significant size to keep a risk-diversified portfolio of acts are likely to end as the last bandwidth restrictions fade. That does not mean there won’t be stars in the future, just that they won’t be able to make the amount of money through record sales they could before. But the same development opens a market to so many musicians who have not been able to live from making music before. I think that is a good thing.

But, of course, you have to decide for yourself.

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